简介：一档聚焦辣妈的时尚生活改造类节目。节目以艺人为素人妈妈制定“专属化妆包”为主体环节。用化妆包作为切入点，重点展示的是：在给素人妈妈改造的过程中，艺人分享一些化妆造型的小技巧，以及根据当期的话题，聊一些自身的经历和感受。最后给大家展现素人妈妈转变的结果

影片主要讲述单亲妈妈为怀揣梦想的儿子治疗残疾双腿四处求医的艰难痛苦历程。主要凸现出小人物汇聚的大梦想正能量，更接地气的反映真实社会生活，涉及到了家庭教育、妇女儿童、交通安全、医疗事故等方面的坚持梦想的情感励志生活。

本片介绍了我国唯一的带枪部落苗族少年滾拉拉（王吉甩 饰）的成长故事。在我国西南苗族部落，有好多世代相传的民族习俗，比如男孩要行成人礼，到一定年龄将得到父亲赠送的猎枪，以示长大成人。滾拉拉自小与奶奶（石鸣妈 饰）相依为命，从未见过自己的父亲，他不止一次问过奶奶爸爸在哪，但毎次都被奶奶搪塞过去。眼下他已届满十五岁，可困窘的家庭实在拿不出500元的制枪费，于是他只身外出寻找父亲。途中，他遇见好友贾古旺（滾当元 饰），俩人曾是患难至交，不料，贾古旺次日罹难，滾拉拉亲自送好友去了极乐世界。奶奶用一生攒下的银饰为他买了一把枪，送给本来应该父亲相赠的猎枪，直到这时他才知道，自己不过是个弃儿......

超市的话题是与每一个人都息息相关的，能够引起广大观众关注的话题，是一个极有商业运作价值的创作主题。它通过挖掘身边的人物和故事，进行艺术加工后，以幽默喜剧的方式展现在荧屏上，揭示出人性的真、善、美、丑，让人们在笑声中体味生活的酸甜苦辣，同时也带给人们一些生活的启示。超市小天地、人生大舞台，在这里上演的一幕幕人间喜剧使人们在捧腹大笑之余留下丝丝回味。

该剧讲述女主角吴曼妮在一次与闺蜜的蹦迪party后感觉身体不适，经过医生诊断得知已有三个月的身孕，震惊之余才想起是与前男友的小孩，与闺蜜商量后考虑进行流产手术，但在躺上手术台的那一刻还是决定生下这个小生命。又在一次驾车途中，因为与前男友肖洋就孩子的问题发生争吵，导致开车途中的吴曼妮不慎发生交通事故，而这个与她发生碰撞的人正是她之后应聘公司的总监方嘉诚.....由此展开一段发生在当代的女性职场励志单亲妈妈的故事。

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment